Japanese horror anthology Kwaidan is low on frights, very.
Movie Reviews. Kwaidan (Japan, 1964) (The title means, literally, ghost story.) Lafcadio Hearn was a strange sort of fellow. After a writing career in Ireland, Cincinnati, and New Orleans, he was sent to Japan in 1890 and fell in love with the place. He married a woman from a samurai family, became a naturalized citizen, and changed his name to Koizumi Setsu. Then he started writing articles.
Japanese product Essay Historically, it would one impossible to conduct a discussion on the issue of American interest in the culture and society of Japan without mentioning World War Two. The conflict between the two nations during the 1940’s forever linked each other as the landscape of the culture of modern Japan and the modern United States were shaped from the outcome of World War Two.
SYNOPSIS. For the first time in the West, The Masters of Cinema Series is proud to present the complete 183-minute original Japanese cut of Masaki Kobayashi’s Kwaidan — one of the most meticulously crafted supernatural fantasy films ever made. Winner of the Special Jury Prize at Cannes, Kwaidan features four nightmarish tales adapted from Lafcadio Hearn’s classic Japanese ghost stories.
Kwaidan arrives on Blu-ray in AVC encoded 1080p high definition in a transfer framed at 2.40.1 widescreen in a new 2k scan from the original negative and it looks gorgeous. Color reproduction is impressive right from the start and it consistently pops throughout the movie without ever looking artificially boosted. Black levels are nice and deep but not at the expense of shadow detail and the.
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This and Kwaidan are two of my favorite films, and without a doubt at the top of my list for Japanese horror. Also not really related to this discussion, but I would love to see a review of The Gate (1987), which I always thought had a little something special as a horror.
In his seminal essay on the horror film, Robin Wood examines the genre from a psychoanalytic perspective, arguing that horror reveals what society “represses or oppresses.” Robert Bloch, author of Psycho, defines horror as “the removal of masks.” Stephen King, on the other hand, posits that “we make up horrors to help us cope with the real ones.” Defining horror often has the.